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January 14th through Saturday, February 16th 2002
Please refer questions to Jeffrey Moose, 206.467.6951 or jmoose@jeffreymoosegallery.com.
Jeffrey Moose Gallery, on the 2nd level of Rainier Square,1333 5th Avenue,
Seattle, WA, is proud to announce an exclusive exhibition of acrylic
paintings on canvas and prints by artists form the Warlukurlangu cooperative
of Yuendemu, a small town in Australia's Central Desert, from Wednesday
January 9th through Saturday, February 16th. A reception for the exhibition
will be held on Friday, January 18th from 6 to 8:30 PM at the gallery.
Jeannie Egan, 36" x28",acrylic on canvas
The Warlukurlangu cooperative is famous for its traditional, unspoiled
imagery and reputation for integrity: the community is known as a source for
enormous collaborative paintings, some including the work of as many as
sixty artists and measuring as much as 12"x22", and traditional ground
paintings, the root of all the famous dot-painting imagery from Australia's
desert. One such work graced last year's "Spirit Country" survey exhibition
at San Francisco's Palace of the Legion of Honor. Collaborative community
works appeared at the California show and, now, in the collection of Robert
Kaplan and Margaret Levy, on display at the Seattle Art Museum.
The art names from this community include internationally recognized talents
such as Judy Napangardi Watson, Paddy Japaljarri Sims and Jack Jakamarra
Ross, talents from the first and third generations of Central Desert
dot-painters. Sims and Ross were awarded the Telstra (Gallery and Museum)
Indigenous Art Award (from Australia's Northern Territories) for Works on
Paper in this year's competition.
Australian Aboriginal dot-paintings are essentially aerial maps of sacred
places, composed of dots, animal tracks and symbols which describe the
Dreamtime (Creation) myths of the plants and animals which have sustained
select language groups for as long as 200,000 years. Aboriginal artists
inheret a natural totem (plant, animal or otherwise..) upon their birth and
they are obligated by tradition to spread the story to others. Contemporary
painters are links in an ancient tradition of Oral History.
More images from this exhibit
Read a Seattle Times Review on this exhibit
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